
Dear
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Due
to disk space cost, please note that all the media files in
the archive have been removed and only the titles left. (ed.)
Reflections
- META
SEINEMEYER (b. Berlin 1895 d. Berlin 1929)
– A singer and one of the greatest artistic
tragedies of XX century
- MARIA
OLSZEWSKA (b. Ludwigsschwaige 1892
d. Klagenfurt 1969) – A singer who needed to
be 'kept out of mischief'!
Featured bits
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that the featured bit links are reserved to donors. Access to the links
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- A soprano aria, two love duets including a mezzosoprano
solo and the Liebestod in the finale ultimo of TRISTAN
UND ISOLDE by Richard Wagner
- A tenor, two soprano arias, two ensembles and the love
duet in the finale ultimo of TURANDOT
by Giacomo Puccini
- A tenor, soprano and baritone arias, a duet, the finale
primo and ultimo of THE
PEARL FISHERS by George Bizet.
- Our Guest of Honour, tenor Salvatore
Fisichella, tells his experience under the historic
Italian film director Mario Monicelli before and during
rehearsal of La Bohème
- Our Guest of Honour, tenor Salvatore
Fisichella, writes about Mario Del Monaco competently,
elegantly and candidly. He pulls no punches with his thoughts
- Our Guest of Honour, tenor Salvatore Fisichella, provides
a historical chronicle and reflects on Bellini
- LA
TRAVIATA – A tenor aria, duets and the
finale ultimo of LA TRAVIATA by Giuseppe Verdi
- CIELO
E MAR – The tenor aria from act II of La Gioconda
by Amilcare Ponchielli
- L'ALBA
SEPARA DALLA LUCE L'OMBRA – The song by
Francesco Paolo Tosti
- Our
Guest of Honour, tenor Salvatore Fisichella, relates a letter
from Puccini to Ricordi on La Fanciulla del West.
- Our
Guest of Honour, tenor Salvatore Fisichella, confides his
initial feelings of strong doubt to sing the demanding role
of Arnoldo in Guillaume Tell.
- RIGOLETTO
– One soprano, two baritone and three tenor arias,
one duet, one trio and one quartet including the finale
ultimo of RIGOLETTO by Giuseppe Verdi
- LOHENGRIN – Two ensembles, one chorus and one tenor aria of
LOHENGRIN by Richard Wagner
- Our Guest of Honour, tenor Salvatore Fisichella, reflects on his fascination for Bellini's music since childhood, his intense study and work on the Bellinian operas, culminating in a dream prize, and the last pearl of the chain: Norma
-
Our Guest of Honour, tenor Salvatore Fisichella, retraces the origin of Madama Butterfly, its music, its characters, the less amiable Pinkerton, the opera premiere disaster, the reasons for his preferred Milan version and his thoughts on Pinkerton's vocality.
Recalls
Opera reviews
Please note
that the opera review links are reserved to donors. Access to the links
is one way for us to say thanks to visitors who make a donation.
If you wish to make a donation, please go to the
registration page. If a donation has already been made,
just click the links below and login.
Office
use only
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Opera
is drama or comedy set to music with soloists, chorus on
the stage and orchestra in the pit. The combination of stage
set design, costumes, action, human voice and music attracts
lots of people. Instrumental works are music compositions
for orchestra set on the stage. The sheer music attracts
as many people.
These art forms fulfil longings for classical
music and cause sensations invariably.
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The site's favourite quote
General
George Armstrong Custer on the eve of the battle at the Little
Bighorn River in Montama (June 1876) cited:
”There
is one thing to be said for glory - you can take glory
with you, when it is your time to go”
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The Panel
s.f. Salvatore Fisichella
y.l.c. Yves Le Coz
m.d.f. Mario Di Felici
l.s.
Lynn Samohel
m.m.
Michèle Muller
r.s. Roberto Scandurra
j.f. Joseph Fragala g.m. Geoff Mallinson a.t. Andrei Turcu k.s. Keith Shilcock d.t. Dragos Tomescu
m.b. Mihai
Bogdan
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